Materials
List SEMESTER 2 2008
As there are no shops close by, please bring snacks or lunch. BYO cup for coffee and tea.
Art materials are not available at Brisbane Institute of
Art so please check with the following suppliers for your art materials requirements:
Eckersley’s Art Supplies: 91-93 Edward St (Cnr Mary St),
Brisbane. (07) 3221 4866; .
Eckersley’s Art Supplies: 12 Douglas St, Milton. (07) 3858
2700; .
Oxlades Paint and Art Centre Retail Art Supplies: 136 Wickham
St Fortitude Valley (07) 3252 8238
Art Land Indooroopilly Shop 7/ 272 Moggill Road Indooroopilly
- 15% discount (07) 3878 5536
Pottery Supplies 51 Castlemaine St Milton 3368 2877
PAINTING
Painting I (Robert Andrews)- An A-5 visual
diary (or similar) and a pen or pencil (for note taking) - the visual diary
will also be used during the semester. A small range of acrylic paints in
75ml tubes, or similar - e.g. white, black, cool red (crimson), cool blue
(pthalo blue), cool yellow (lemon), Payne's grey. A more extensive list will
be given out during the first class. - A few bristle brushes - e.g. one each
of size 8, 10 & 12 flat-ended bristle. - A water container for cleaning
brushes Three sheets of A-2 cartridge paper OR canvas paper,- A pair of scissors,
- A cleaning rag, - A recycled ice cream lid, or similar, for use as a mixing
palette, - Two bulldog clips
Painting I (Paul Milburn) Plenty of rags; ice cream size
container for water; palette [eg. large perspex or wooden or ceramic tile];
brushes [2x size 10 flat bristle hogs hair; 2x size 6 flat bristle hogs hair;
1x size 6-8 synthetic (taklon) pointed brush]; canvas paper [A1 or larger];
A3 sketch book; paints [75ml - Warm Blue, Cool Blue, Warm Red, Cool Red, Warm
Yellow, Cool Yellow; plus Yellow Ochre, Burnt Sienna, Raw Umber, Paynes Grey,
Titanium White]
Painting I (Nameer Davis) 5 Brushes from size 0 up to 25
mm, palette knife or putty knife, Acrylic paints student quality. Minimum
requirement – red, blue, yellow, black, white, raw umber, Gel medium (gloss
or matt), Painting surfaces - 2 sheets of canvas embossed paper A1 size or
A3 Canson oil/acrylic painting pad, One litre Water container, Painting cloth
or paper towel, Plastic Pallette with large and small recesses for mixing
paint, If you think you may have any skin allergies to acrylic paint please
bring disposable latex gloves or rubber gloves.
Painting II (Paul Milburn) Small hard bound notebook A4 (unruled
plain cartridge paper) for note taking and visual diary/sketchbook; [You may
have many of the following items items already if you have done painting 1];
oil paint - 38ml tubes student quality [Cerulean Blue, French Ultramarine,
Lemon Yellow, Cadmium Yellow (or similar mid yellow), Alizarin Crimson, Cadmium
Red (or similar warm red), Paynes Grey, Yellow Ochre, Raw Umber, Burnt Umber,
Ivory Black, AND Titanium White in largest tube you can buy!]; palette; brushes
[mostly hog hair filbert and flat tipped from size 10 to 20]; pure turpentine
[gum or odourless]; cotton rags [eg. old sheet torn into pieces]; pallete
knife [tapered].
Painting II (Nameer Davis) 5 Brushes from size 0 up to 25
mm, palette knife or putty knife, Acrylic paints student quality. Minimum
requirement – red, blue, yellow, black, white, raw umber, Gel medium (gloss
or matt), Painting surfaces - 2 sheets of canvas embossed paper A1 size or
A3 Canson oil/acrylic painting pad, One litre Water container, Painting cloth
or paper towel, Plastic Pallette with large and small recesses for mixing
paint, If you think you may have any skin allergies to acrylic paint please
bring disposable latex gloves or rubber gloves.
Painting III (Paul Milburn) Your usual painting materials
Painting III (Nameer Davis) Your usual painting materials
Painting IV (Jill Barker) Your usual painting materials
Studio Painting (Warren Palmer) Your usual painting materials
Introductory Watercolour (Mia Clark) 280gsm Watercolour Pad
A3 size (Montval is a good brand), Student quality tubes of watercolour paint
– red, blue and yellow (DO NOT BUY MARIES OR MONTMATRE), masking tape, scissors,
drawing boards, palette, tissues or paper towels, water containers x2, pencil
or eraser, brushes small (size 0-2), medium (4-6) and large (8-10) – round
and flat brushes.
Introductory Watercolour (Allin Dwyer) Visual diary; 1 sheet
300gsm Watercolour paper (rough – Saunders or Arches); roll of masking tape;
a good quality watercolour brush (round, No. 8, 10 or 12 – eg. Roymac, imitation
sable); mixing palette; 2 water containers (eg. plastic cups); 2B pencil;
soft eraser; a box of tissues; Watercolour paints : Cadmium Yellow Light,
Yellow Ochre, Cadmium Red, Alizarin Crimson, Ultramarine Blue, Viridian, Burnt
Sienna.
Expressive Watercolour (David Paulson) Rowney Watercolours
[Burnt Sienna, Alizarine Crimson, Vermillion, Veridian, Lemon Yellow, Cadmium
Yellow, Ultramarine, Cerulean Blue]; water container (eg. ice cream bucket);
1 sheet of watercolour paper; plus one of any brush.
Intermediate Watercolour (Allin Dwyer) Visual diary; 1 sheet
300gsm Watercolour paper (rough – Saunders or Arches); roll of masking tape;
a good quality watercolour brush (round, No. 8, 10 or 12 – eg. Roymac, imitation
sable); mixing palette; 2 water containers (eg. plastic cups); 2B pencil;
soft eraser; a box of tissues; masking fluid; cheap small brush; a No. 8 bristle
brush; a good quality No. 3 watercolour brush (imitation sable); Watercolour
paints : Cadmium Yellow Light, Yellow Ochre, Cadmium Red, Alizarin Crimson,
Ultramarine Blue, Viridian, Burnt Sienna, Cadmium Yellow Warm, Raw Sienna,
Burnt Umber, Thalo Cyanide Blue, Paynes Grey.
Portraiture (Margaret Fredrickson) Semester 2 Portraiture (painting) Oils or Acrylics – white(large tube) cadmium red, crimson, cadmium yellow (or similar) lemon yellow, yellow ochre, cobalt blue(preferred) or ultramarine, burnt sienna, black, Indian red (optional). Small bottles linseed oil & turps (oils only). Flat bristle brushes sizes 8 & 4. Pointed imitation sable size (acrylics). A palette, palette knife (white plastic is okay) rags, empty glass jar and lid for turps, old shirt. Cardboard or Kraft paper (sealed with acrylic paint) or oil paper, stretched canvas or canvas board (A4 to 40.6 x 50.8 ie 16” x 20”).
DRAWING
Observational Drawing (Jane James)Pencils [HB – 6B];two sticks compressed round charcoal; one medium thick stick willow charcoal; black drawing ink [that will flow through a pen]; round tapered watercolour brush with good regathering capabilities [ie. No. 6 taklon brush]; nib and nib holder [one pointed split nib]; butchers paper [3 large sheets]; cartridge paper [10 large sheets or A3 sketchbook]; two large, medium rough sheets of paper; one piece lightweight card [el cheapo is good]; plastic eraser [for pencil]; gum rubber [for charcoal - not the same as a kneadable eraser); ruler; rough sandpaper; found objects for dipping into ink and drawing with [day one].
Life Drawing (David Paulson) Cartridge paper and charcoal
Observational Drawing (Jane James) Pencils [HB – 6B]; two sticks compressed
round charcoal; one medium thick stick willow charcoal; black drawing ink
[that will flow through a pen]; round tapered watercolour brush with good
regathering capabilities [ie. No. 6 taklon brush]; nib and nib holder [one
pointed split nib]; butchers paper [3 large sheets]; cartridge paper [10 large
sheets or A3 sketchbook]; two large, medium rough sheets of paper; one piece
lightweight card [el cheapo is good]; plastic eraser [for pencil]; gum rubber
[for charcoal - not the same as a kneadable eraser); ruler; rough sandpaper;
found objects for dipping into ink and drawing with [day one].
Expressive Drawing (Sandra Ross) 10 sheets university cartridge
paper 300gsm approx A3 in size (purchase a block or sheets and cut up); butchers
paper, cartridge paper, A3 visual diary; pencils or progresso graphite pencils
[2B , 4B & 6B]; ink, quill, willow charcoal in variety of thicknesses,
a hard eraser, ruler; a flat #6 or #8 hog brushes, #12 round brush (cheaper
version), and any others you have ; acrylic paint (alizarin, paynes grey,
yellow ochre, burnt sienna, white and any other colours you might have), Atelier
liquefying medium, water container, knife (blade), any of the following if
you already have them; pastels, charcoal pencils, conte, compressed charcoal,
aquarelle pencils or crayons, impasto medium.
Drawing the Human Figure (Carolyn Gardiner) 1 x 2B Pencil,
1 x 4B Pencil, 1 x 6B Pencil, 2 x large bulldog/foldback clips, 20 sheets
of A3 size cartridge paper.
Drawing the Human Figure (Frances McKennariey) 6 X cartridge
paper, 6X butchers paper, willow charcoal, compressed charcoal or conte, note
book, cloth/clean rag, 2 x large bulldog/foldback clips, eraser (kneadable
preferred).
Exploring Drawing: from the expected to the unexpected (Nicole Sylvestre)
Pencils,biro,felt pens,erasers,masking tape,black drawing ink,a few brushes,
aquarelle pens if you have them,a plain household candle.
A3 drawing pad,tracing paper,glue. Magazine, newsprint,any other papers you like.
PRINTING
Introductory Printmaking (Nancy Brown) or (Jay Dee Dearness)
[Available from Oxlades3846 0611 fax 3846 0622 www.Oxlades.com.au]: drypoint
plate Mylar [these come in assorted sizes]; papers [BFK Rives; Arches Vellum
250GSM or other 250gsm printing paper]; acid free tissue paper [5 sheets];
rubber gloves; clean cotton rags; large sketchbook and drawing materials;
craft knife; scissors; towel; you will be etching on inexpensive aluminium
and copper plates which can be purchased from the tutor as needed.
Fabric Printing (Nancy Brown) 2 metres of cotton or poly-cotton
fabric, scissors, rags, rubber or disposable gloves, A4 sketch book plus choice
of drawing materials, cutting blade & cutting mat (optional). Please wear
closed in shoes
Etching (Wim de Vos) Notebook & pen; an etching plate
(size = approx. 120 – 150 x 100mm); a small fine tooth bastard file.
3D
Ceramics 1 & 2 (Linda Ward) Notebook & pencil. Wear
old clothes & closed in shoes.
Sculpture 1 (Nameer Davis) or (Deborah Cavallaro) Visual
diary & pen, pencil, wear closed-in shoes and old clothes.
Metal Sculpture (Allin Dwyer) Visual diary & pen, pencil,
wear closed-in shoes and old clothes.
Sculpture 2 Visual diary and a pen
Gold & Silversmithing (Rebecca Ward)Notebook, pencil,
scissors, gluestick and ruler; wear closed-in shoes and avoid flowing, loose
garments; long hair must be tied up.
Gold and Silversmithing (Eleisha Nylund) Notebook, pencil
and ruler; wear closed-in shoes and avoid flowing, loose garments; long hair
must be tied up.
PHOTOGRAPHY
Digital Photography I (Paul Milburn) Note book & pen;
USB flash memory stick; digital camera
Digital Photography II
Black & White Photography I ( Karen Milder) Note book
& pen; film based camera (if you have one); film (Ilford HP5 400 or Ilford
Delta 400); black & white photographic paper ( 25 or 100 sheets of 5x7
or 8x10). Suppliers include Teds Camera Store, Adelaide Street, City
Photo Continental, Logan Road, Upper Mt Gravatt. Kayell, Annerley Road, South
Brisbane
THEORY
Art History 1 (Karen Laird)Pen & notebook; A4 plastic
sleeve display book ( supermarket or newsagent, etc,).
Professional Arts Practice (Jill Barker) Notebook & pen.
CHILDREN
Childrens’ Term Art Class(Deborah Cavallaro) Please bring
morning tea, a mug for drinking water, and wear an apron.